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 भारतमा बेश्यालय खोल्ने जंगबहादुरकी छोरी, डम्बरकुमारीको बारेमा कसैलाइ थाहा थियो ?
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Posted on 02-10-22 12:41 PM     Reply [Subscribe]
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भिडियो शेयर गर्दा स्पाम गरेको जस्तो हुने भएको ले शेयर गरेको छैन -- 
त्यस्को स्क्रिप्ट मात्रै शेयर गरेको छु है!! 

खासमा ... डम्बरकुमारीले बनारसको दाल मण्डीमा खोलेको वेश्यालय को कारण यता नेपालमा प्रधानमन्त्री बनेका जंगबहादुरको ठूलो बेइजेती भएको थियो रे। 

 तेसैल उनलाई कुनै पनि तरहले नेपाल फर्काउन जंगबहादुर खुबै ठुलो कसरत गरेका थिए। बिभिन्न मानिसहरु पठाएर झिकाउन खोज्दा पनि उनी नफर्केपछि जंगले आफ्ना भाइ जनरल धीरशमशेरलाई नै आदेश दिएर पनि पठाएका थिए। तर, धीरशमशेरले समेत उनको ब्यबसाय बन्द गरेर नेपाल फिर्ता ल्याउन सफल भएनन्। बनारसको दाल मण्डीमा उनले चलाको कोठी राम्रै चलेको र उनी त्यो ब्यबसाय छोडेर नेपाल फर्कन राजि थिइनन। जंगबहादुरले ठाने पछि जसरी पनि गरेरै छोड्ने बानी आँफ्नी छोरीको ममलामा पनि सफल भएको देखिन्छ - उनले अनेक तिकडम गरेर भए पनि छोरीलाई नेपाल फर्काउन लगाउने नै भए। बारम्बार नेपाल फर्काउन खोज्दा पनि उनी नेपाल फर्कन नमाने पछि जंगबहादुरले राजपुरोहित वामदेव पण्डितलाई सबै तयारी गरेर त्यता पठाए। त्यस अघि आँफ्नै काका आएर फर्काउन खोज्दा पनि नमानेकी डम्बरकुमरी राजपुरोहितले भन्दैमा के फर्कन मान्थिन। तर, सोझो औण्लाले घ्यू आउँदैन भन्ने बुझिसकेका जंगबहादुरले राजपुरोहित पण्डितलाइ त्यतीकै बोलाउन मात्र पठाएका थिएनन - उनले त त्यहाँको अबस्था नै परिवर्तन गराएर डम्बरकुमारीलाइ नेपाल फर्कन बाध्य पार्ने सम्पूर्ण तयारी गरेर पठाएका थिए तेसैले त्यहाँ वामदेव पणिड्तले स्थानिय प्रहरीला लगाएर डम्बरकुमारीले संचालन गरेको कोठीलाइ नै बन्द गरिदिए, उनले त्यहाँ बसेर ब्यापार नै गर्न सकक्ने अबस्था पारि दिए। यस्तो चेपुवामा परे पछि बाध्य भएर डम्बरकुमारी नेपाल फर्केकी थिइन । ब्यापारिक सोच भएकी डम्बरकुमारीले नेपाल फर्कने बित्तिकै आँफ्नो ब्यबसाय सुचारु गर्ने सबै तयारी गरेर नेपाल फर्केकी थिइन। उनले नेपालमा वेश्यालय संचालन गरिन कि गरिनन भन्ने त कुनै ऐतिहासिक तथ्य उपलब्ध छैन तर राजपुरोहित वामदेव पण्डितले डम्बरकुमारीलाइ फर्काएर ल्याएको र उनी नेपाल फर्केर आउने क्रममा नेपालको सरहदभित्र आइपुगेको अघिल्लै दिन जंगबहादुरको पत्थरघट्टामा मृत्यु भइसकेको थियो भनेर (पुरुषोत्तमशमशेर जबरा, ‘श्री ३ हरूको तथ्यवृत्तान्त’-२०६५ मा उल्लेख रहेको छ। डम्बरकुमारीले नेपालमा आँफ्नो ब्यबसाय सुचारु गर्न बनारस बाट नेपाल फर्कँदा आफ्नो डिजाइन अनुसार नै छाप्न लगाएको खास्टो पनि ल्याएकी थिइन्। उनको डिजाइन अनुसार छापिएको त्यो खास्टो नेपालको चीसो मौसमको लागि अति नै उपयुक्त र मानिशरु बिच अत्यंत पपुलर भयो - अनि पछि त्यही खास्टोलाई डम्बरकुमारीको खास्टो भनेर सबैले चिन्न थाले। अहिले पनि मौलिक नेपाली डिजाइनको डम्बरकुमारीको खास्टो नेपालमा मात्रै नभएर बिश्वभर नै डिमान्ड भएको खास्टो हो । 

विसं १९३३ मा नेपाल भित्रिएको यो खास्टो नेपालका चार शहिद मद्धे एक शहिद ले आँफुले गोलि खाएर शहीद हुँदा पनि ओडिरहेका थिए। 

उनलाइ त्यो खास्टो उनकी प्रेमिका एक राणा युवतिले उपहार दिएकी थिइन रे। यो बारेमा थप जानकारी कसैसंग छ भने शेयर गर्नु होला है ... यसको अपडेट रिपोर्ट बनाउनु छ !!
Last edited: 10-Feb-22 12:42 PM

 
Posted on 02-10-22 7:44 PM     [Snapshot: 111]     Reply [Subscribe]
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कनटकेन कनटैब, धनले धन , गरिबीले गरिबी लाइ तान्छ | जसरी. जंग बहादुर श्री ३ महाराज हुन पुगे भने उनका केहि गुण छोरीमा पनि रहेछ भन्नु पर्यो |
संसारकै पुरानो पेशा र ब्यबसाय कोठी हो भने काका बाउले उनकी आमा बाहेक अरु संग सम्बन्ध धेरै नजिक बाट देखेकी र भोगेकी हुनाले त्यो पेशा रोजेकी होलान | आज भोलिको अबस्थामा निला चित्रमा देखीइन भने बाउआमा आधुनिक जमानाको संस्कार कस्तो आयो भन्दै बाकि जिबन बिताउलान |
 
Posted on 02-10-22 11:15 PM     [Snapshot: 165]     Reply [Subscribe]
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कोठी खोलेको हल्ला मात्र हो भन्ने पनि छन।

राइजिङ नेपालले - "Dambar Kumari escaped from the confines of Thapathali Durbar and landed up in Varanasi, where she openly ran a brothel. "

अरुले (राणाहरुले) हल्ला मात्रै हो भन्छन - बुझ्न गाह्रो छ।

सुवोध राणा लेख्छन - "She was either passionately in love with someone she met there or she was engrossed in a new hobby she had taken up. Rumor mills in Kathmandu went into overdrive. She had started living in a house of ill repute, she was a courtesan, she was shameless.... ... When Dhir arrived and started sending his spies to see what Dambar Kumari was up to, he was surprised by what had enraptured the young woman so as to make her forget Nepal. It was the ancient Indian art of block printing on cotton cloth. "

उनले "हल्ला " भने पनि "कसैको प्रेममा पागल भएको हुन सक्ने.." भनेका छन। नेपालीहरु हल्ला फिँजाउन माहिर हुन्छन -- यसै हो भनेर भन्ने सक्ने अबस्था छैन।

अनि, त्यो खाष्टोको बारेमा सन २००५ मा यस्तो लेखिएको रहेछ :
Crazy for Khastos
Enterpreneur Gautam Rana is reviving the art of Khasto making and his products are flying off the shelves
MALLIKA ARYAL

FROM Nepali Times ISSUE #264 (09 SEPT 2005 - 15 SEPT 2005) |

With September's arrival, Kathmandu starts preparing for a month of festivals, get-togethers, parties and travel. Nobody wants to think about the short, dreary winter days of December and January. But as Tihar ends, it becomes painstakingly clear that winter is not too far away. Come November, Kathmandu starts bundling up in fleece, down coats, legwarmers and Khastos.

Nothing is more Nepali than a Damber Kumari Khasto, a delicate hand printed cotton wrap, sandwiched between two layers of the finest muslin cloth. Khasto's cotton makes it easy for both young and old to wear and the typical Nepali prints make them trendy for youngsters to drape themselves in during winter or to take abroad as souvenirs. The three layers of the Khasto have been keeping Nepalis toasty warm in dreadful winters from Boston to Moscow.

The Damber Kumari Khasto is named after the daughter of Jang Bahadur Rana, who brought the art of block printing to Nepal from India's city of Banaras. On a religious trip to the city with her father in the mid-1800s, Damber Kumari and her entourage learnt the technique and carried it home.

In Nepal, Damber Kumari created her own style by wrapping cotton in two thin layers of muslin cloth, fortifying the shawl for the Kathmandu winter. Since then the Khasto has become one of the most popular wrap-arounds, found in most Nepali households. And to this day, this method of block printing and the name of the Khasto itself are referred to as Damber Kumari.

Unfortunately, the graceful designs of earlier days were slowly replaced by less refined work that was easy to mass produce. Soon, the beautiful block printings of lotus, rhododendron, peacock and fire were replaced by tacky red and green block-printed hearts. But just when Khasto fans thought the art was dying, Gautam Rana (also known as G2) stepped in to revive the age-old tradition. Today in partnership with the Museum Shop at Baber Mahal Revisited he and Rosha Chitrakar, who looks after the management side of the business, are working to revive the nearly forgotten craft of Khasto making.

The shop's first round of Khastos, put on display in July, were sold out immediately. The designers have developed stunning patterns using a range of conventional motifs. Temple panels, dragon, vajra, lotus, flame, moon and flowers are some of the 25 designs the painters are working with. "The actual art of block printing is in hitting blocks with different colours at exactly the right places," Rana says.

The blocks are carved by one set of artists, then another group does the hand printing. Finally the Khastos themselves are sewn by a set of tailors. Thus, the shawls are completely handmade, except for the cotton and muslin. Rana plans to make at least 10-12 Khastos weekly and sell them through the Museum Shop.

The block painters are excited about reviving an art that has been in their family for ages. "As the patterns get more complicated, we will need more workers, more creative minds and the price will rise a little bit, but it will not be unaffordable," says painter Ujjwal Shrestha.

Production has been slow during the monsoon as the paintings need to be slowly dried in the sun but the group is looking forward to a sunny and productive winter. G2 Rana believes the initiative will revive the kind of block paintings Damber Kumari herself may have envisaged. "Art is handed down from one generation to the next but the challenge lies in getting the next generation interested," he says.
 


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